lunes, 27 de octubre de 2025

The Narrator Of Mechara

 THE NARRATOR Of MECHARA

SONG II OF THE ANTHOLOGY
"THE SONGS OF THE VOID"

THE NARRATOR OF MECHARA


INTRODUCTION

Year 11 645 The solar system was made up of six planets; Earth, which was still inhabited by humans, Kisar (its inhabitants called Kisaries), Aurevion (its inhabitants called Aurevites), Lysera (its inhabitants called Lyserians), Davon (its inhabitants called Dravonites), and Zypara (its inhabitants called Zyparians). Until today, before being destroyed by Zypara, there existed a seventh planet called Mechara (its inhabitants called Mecharies) 


Chapter I

My ship impacted in a inhospitable area of ​​the planet Earth on the 16th day of the 3rd week of the month of Thalor of the year 80 of Mechara, which corresponds to the first day of January of the year 11 725 ​​of the Earth era, since the Mechara calendar was composed of eight months of forty-eight days divided into three weeks of sixteen days each. Each day consisted of twenty-two hours, of which sixteen were working hours. Mechara had been founded by the Aurevion hybrids in the year 11 645 AC. They used every last gram of tungsten, the only material capable of withstanding Mechara's high temperatures, to create us and almost everything else on our planet.
The Aurevites had been extracting this tungsten since they arrived on Aurevion after being expelled from Earth in the year 10 825 AC. I landed in emergency mode in the middle of this petrified jungle a few minutes before six in the morning, which was very useful to avoid being annihilated, since in the nearby city the humans were resting after long New Year's celebrations, and I was able to detect with my sensors that you were the closest living beings to me, being almost three kilometers away from where my ship landed. Once the ship was on solid ground, I activated the cloaking system to hide it from the dangerous human eye. I left my seat with some difficulty moving due to the sudden jolts I received during the emergency descent. Once outside the ship, I configured the vibrant blue reflectors that make up my visual system, dimming their glare as much as possible so as not to be exposed.
Although I left the distance range set to default, this would be very useful to me since, thanks to this feature of my system, I can see in minute detail even the tiniest insect at a distance of six thousand meters. I stayed there for three days, and then I approached this cavern where you, the most qualified human scientists, have the immense machinery for your project.
Now, I have to admit that at first, perhaps because of the dizziness and shock caused by seeing my planet on fire, at the first moment of descent when I saw myself submerged in the petrified jungle, I had the slight illusion that Mechara had not been destroyed, that it had all been a bad dream since part of the soil in this area has a particular resemblance to my planet.


Mechara had a rocky, metallic, and arid surface, with vast plains of tungsten and mountains studded with glittering veins of exotic minerals. There were no seas or rivers, only parched valleys where a metallic liquid had once flowed. Rain did not exist, but dry, electrical storms roamed the sky, feeding the planet's natural energy systems, the atmosphere was dense, with coppery and violet hues at sunset. Our vegetation was almost nonexistent, only a few crystalline organisms existed that were capable of absorbing energy from electrical discharges. On Mechara, it's well known how planet Earth works. This has always been a subject of study on my planet, but arriving here and seeing it with my own spotlights is very different. My sensory system detects that the tree bark is indeed irregular and rough. More than the petrified forest, I move through the imposing natural forest. There are flowers and animals, just as we've always been told; they have life, they breathe, just like the Earth's crust. I can feel them and I can speak to them, but they don't respond. Water is liquid and abundant; I detect it, even though I can't touch it. The sky is ever-changing; there are clouds, rainbows, and variations in days between sunny, cloudy, and rainy. The weather is fueled by the sounds of birdsong, the rustling of the wind in the leaves, rain hitting the ground, and the existence of oxygen, vital to humans, as it has been since the beginning of time. These characteristics of your planet were often a subject of study for me at Mechara.
The Zyparians attacked us by launching catalytic nanomolecules that adhered to our bodies and everything made of tungsten like us, the particles absorbed water vapor from the air, concentrating and enhancing it and that's when the slow destruction of our world began, our bodies began to produce tungstic acid and everything began to hollow out and fall apart, I was inside the ship for a routine system check because I had been assigned a new task and as was routine before each new task I had to go through a check to make sure everything was okay. From there I saw how my world began to fall apart, the reflectors of the visual system of the Mecharies with whom I worked day to day, the authorities who once reprimanded me for mistakes were hollowed out and broke into a thousand pieces, the colossal monuments in honor of Aurevion, our founders, fell turning the floor of Mechara into a tomb of giants. The repair ship, which corresponded to what on Earth they call a hospital for humans, started its engines, as if it were programmed, and I have to say it like this because I did not know, I had no idea how to start it, besides being perplexed by such destruction and seeing that I did not have much more left than the same end as the other machines on my planet, I just limited myself to wait my turn, however the ship began to take off and when it was about ten meters from the surface I saw something incredible, something I'll think about every day of my existence; a human in an armored suit running toward the ship, of course with no chance of successfully reaching it, I didn't even get to formulate a rescue plan for the human, when the ship was dragged in just a few seconds to more than millions of light years away, while I managed to place myself in the seat with the ship's security system that for a few seconds spun around putting me upside down because of the shock wave. In the midst of my dizziness my searchlights managed to capture the final blow that Zypara dealt to Mechara. A devastating fire attack that still keeps Mechara burning and that ended our civilization of scientific robots.
"Did you say scientific robots?" —the human asked.
"Yes, that's what I said. My civilization was designed to be the largest community of scientists in existence among all known worlds."
The correct series was the giant models that looked imposing, the "memory scaffolds" of Mechara, but I was part of a group of 3,000 products, the result of an assembly error: since my series was made with scraps of tigstenob (an experimental alloy), due to such tests, my body turned out small, child-shaped. As I mentioned earlier, only 3,000 units like me existed, much more fragile than the larger models, but also more adaptable and with boundless curiosity. Most of us were dismantled, leaving very few standing. Although we were "defects," our form actually granted empathy and the ability to connect with organic beings. We were seen as a reminder of Mechara's vulnerability: a strong planet, but with hidden fissures. Those of us who weren't dismantled were trained to be useful in the only thing that didn't require force; we specialized in observing weather and atmospheric energy. We recorded the patterns of electrical discharges and studied how they influenced the metallic surface of our planet. We served as scientific chroniclers, documenting each discovery in light and sound codes.
For my research project, I had been assigned a companion. Her name was "Coralata." She and I walked together in the petrified forests. She guided me through the trunks turned to stone and showed me how life had been suspended in time. One day, while I was analyzing the mineral surface of a tree, I noticed that in the crystalline reflection of the rock, she was silently watching me with a slight smile. The discovery was twofold: on the one hand, I understood that those trees retained within them tiny traces of hardened sap, as if the forest were still breathing; and on the other, I understood that she loved me, She didn't tell me this with words, but with the way she waited for me when I was lost in thought, the way she placed her hand on the cold metal of my arm as if we were skin-to-skin, and the way she shared her silences with me. Coralata and I had our energies magnetized, we were made for each other. I knew this because every time she made a discovery, before analyzing it, the first thing she looked for were my sensors in her gaze, as if without that act the discovery would be meaningless. Before the end we had been ordered to put into documents the new advances of the Mecharies for the issue of the seas of Davon, but hours before meeting with Coralata to begin that work I was obliged, as I said before, to go through a general routine check of my body and my system in the repair ship, in it each robot entered alone, was scanned and if necessary repaired or eliminated, each check implied a challenge. When the end began, I thought of her first and felt the vibration of her system asking for my help. That's why I know we were magnetized. I don't want to imagine her end; I prefer to remember her with her shining gaze. 


When I say that she and I had been ordered to document the Davon issue, I mean that Mechara scientists finally created a solution to gradually solidify Davon's seas of pure liquid gold.
"Seas of pure liquid gold?" —The human asked, and the narrator replied: 
"Yes, Davon is a planet filled with seas of pure, liquid gold at high temperatures. There is only gold there that would serve Aurevion to create a new colony of robots similar to the Mechara giant series to be used in military work. But the planet Earth investigated it, they knew about it, and they wanted that gold. They weren't sure they could face Aurevion in a fight for Davon's seas of gold, for which they would have not resources to exploit, so it planned things its own way..."
We, besides being a colony that obeyed Aurevion, were also the only ones capable of withstanding the temperatures of Davon since despite being high, they were incomparable with the extremely high temperatures of Mechara, therefore, I tell you  humans, do not continue with actions that will only lead to the destruction of planet Earth. You are working on the construction of the "Giant Rose System" solar weapon, with the purpose of extracting solar energy directly to fuel massive energy projects on planets and space stations. This will impact the behavior of solar energy, causing the sun to continue increasing in size to unimaginable scales. You believe destruction is far away, but it's closer than you think. You believe you have millennia left, but no. In six hundred years, the fire you worship as life will also be the shadow of your extinction. I was not created to be a prophet, only a chronicler of storms. But I learned to read the signs, and I know what awaits the Earth. You who have believed my story, take this truth beyond your lives. Include it in your technology, engrave it in stone, in circuits, in songs. Let your children and their children's children know that the time of the earth is numbered. I cannot save myself. Nor can I save you, but I can give you something greater: the warning that will make all you stop trying to create "The Giant Rose System" for the good of the earth.
The human scientists did not want to confront the authorities of the governing council, knowing almost perfectly well the response they would receive, which is why they first wanted to prepare a document with reasons and evidence and ask the council to allow the Narrator of Mechara to remain on Earth and, if possible, to be part of the official delegation of scientists, since his knowledge would be very useful. 

Chapter II

While all this was in process, a small group of scientists offered the Narrator an exit outside the scientists' cave to explore a little more about the nature of planet Earth.
The group of scientists were outside the cave with the Narrator for three wonderful days in which the Narrator of Mechara contemplated the beauty of nature in its maximum and close expression and then they returned to the cave. Once there, the rest of the scientists had already completed the document with evidence that what the Narrator said was true and finally a group of them would present their cause to the Council to stop the evolution of the "The Giant Rose system" and thus reverse the situation. While a group of scientists left the petrified caverns to head to the city, another group was left in charge of the care of the Narrator of Mechara who continued recording in the book every last piece of information and detail of what his civilization was. 


The scientists were very interested in their calendar, which was also recorded in the book. The Narrator of Mechara sensed the danger in his sensors and did not want the cavern that had housed the best human scientists for centuries to be destroyed, so as soon as it was possible for him to leave unnoticed, he went first through the petrified forests and then through the natural forests until he reached the city, surprised by such majesty and being curiously observed by every human he crossed.


The Narrator was determined to present himself before the authorities so that the human scientists would not be punished. As soon as he appeared before the council, he was arrested and two days later tried before a large crowd.
"What am I acussed of? —said the Narrator.
"Of conspiring, of causing chaos, of slandering our planet Earth with shameful falsehoods," —said the council. As expected, the Narrator Of Mechara was ordered to be destroyed by water, a Mechari's worst nightmare, but not before allowing the condemned to say his last words. in front of the arrogant gaze of the crowd, Narrator said:
"In view of the sentence imposed on me, according to most of you accusing me of altering order, creating chaos and promoting false insults against your planet, as you wish, I accept my fate with dignity, but not before using the word, a right that humans grant to their condemned to tell you all today that Mechara was destroyed by Zypara but in reality: was an act of interplanetary sabotage to ensure that Aurevion would lose its colony and its resources. I felt the roar of Zypara tearing through our mountains. The order came from Earth. My world was just a pawn on a larger board: Aurevion coveted our sweat, Earth coveted seas of liquid gold that Aurevion would extract from Davon, and when they couldn't have it all, they destroyed what others had.
The Earth lies not only about the past, but also about the future. Some of you have believed me, and so I must give you the whole truth: the Sun will be your "Zypara." In six hundred years, there will be no Earth left. Spread these words with fire in their message, proclaim them to their descendants, do not waste them by making them sound in the ears of those who serve the Council, Pass them on tirelessly, from generation to generation. Because there will come a day when this knowledge will be the difference between extinction and survival, lest a handful of you, humans, have the misfortune of surviving and seeing what I have seen, and feeling what I have felt.

The water of death fell upon the body of the Narrator of Mechara first generating cracks and then breaking it into a thousand pieces and finishing with the last of the Mecharies.

“This is the testament of a world that no longer exists. The Narrator of Mechara spoke to us with a child's voice and a thunderous roar.
He narrated the truth that Earth forbade: He narrated that the command for Zypara to be the blade that split their planet was an order from Earth, and that our Sun will burn against us in six hundred years. Do not forget, reader of the future: these pages are not a myth, but a warning.
In her poetry lies science, and in her numbers, the path to change course. We are the guardians of memory. If one day this book reaches your hands, remember it as Mechara's cry, as her final cry of warning to your race: to tell you that she herself, driven by greed, is heading toward her end.



“© The Narrator Of Mechara”
Mariana Luzuriaga, 2025/
All Rights Reserved.
ASIN: B0FPTK1WBW

          

Readers of the future, as requested by human scientists, I engraved the Mechari calendar on my last tablet as a token of my gratitude to all those who in their memory coined my words and honored my warning.

For You, The Narrator Of Mechara.


📘You can see the language Mechari created for the Anthology:  CLIC HERE: 👇

“© The Narrator Of Mechara”
Mariana Luzuriaga, 2025/
All Rights Reserved.
ASIN: B0FPTK1WBW


📽 WATCH A PART OF THE STORY IN VIDEO


Happiness Before Destruction 















         

Happiness Before Destruction
Autor: Mariana Luzuriaga
© 2025 Mariana Luzuriaga. All Rights Reserved.

Written by
Mariana Luzuriaga


martes, 21 de octubre de 2025

LANGUAGE MECHARI

 MECHARI LANGUAGE OFFICIAL FILE LANGUAGE

 CREATED BY MARIANA LUZURIAGA


MECHARI LANGUAGE

The Voice of Light
Long ago, before words existed as we know them, the universe spoke in light.
On the planet Mechara, first within a system of seven sister worlds, consciousness communicated through Codes of Light—visible vibrations that carried the essence of every thought and every action.
The Mecharies, inhabitants of Mechara, learned to read these lights, to decipher their meaning without altering their rhythm or harmony. Each flash contained life, memory, and pure energy, and from them arose the language we now know as Mechari: a tongue that reflects the unity between matter, life, and intention.
But the time of the planet came to an end. Zypara, under orders from Earth, unleashed the destruction that consumed Mechara. Its light was extinguished, and with it, the voice of an entire world.
However, the memory of the language survived: fragments of the Codes of Light, their roots and vibrations, were preserved in the remnants of the planet and in the legends of those who once knew it.
This book gathers that heritage. Every word, every sound, every symbol, is an echo of Mechara—an attempt to return to the light what once illuminated six worlds connected by energy, vibration, and destiny.
“Those who hear the light within the word remember the origin of the verb.” — Ancient Mechari proverb.

The Mechari Language
The Mechari language does not follow an alphabetical order.
Its structure reflects the way the Mechari perceive the cosmos: through cycles, correspondences, and resonances.
Words are grouped according to their essence —life, matter, energy, intention— rather than by a sequence of letters.
In this way, each term preserves its natural vibration within the fabric of the language.
The Codes of Light — “Loryan”
(from the verb Lori, “pure intention,” and Yan, “to manifest”)
General Concept
In Mechari tradition, the Loryan were the oldest and purest form of communication.
Before spoken or written words existed, consciousness expressed itself through light—visible vibrations that arose from the Lori-Ein plane, the realm of pure energy.
These lights were not ordinary colors, but frequencies that carried meaning directly to the mind and heart of the one who perceived them.
Nature of the Luminous Language
Each pattern of light corresponded to a root of the language, but on a deeper level: a kind of language of the soul.
It was not learned by reading, but by tuning one’s inner perception.
The sages said that the Loryan are not translated—they are remembered: when one sees them, something within recognizes their original meaning.
A single flash could contain what a thousand words would fail to express.
Use and Function
The guardians of Lori-Ein were the only ones who could emit them in their pure form.
The Mechari learned to record them through geometric symbols carved into crystal or stone, called “Runes of Lorya.”
They were used to:
• activate portals between planes,
• seal sacred pacts,
• transmit knowledge without distortion.
Consonants used in the Mechari language:
G, H, K, L, M, N, R, S, T, V, Y
Vowels used in the Mechari language:
A, E, I, O, U
Structure
Root + Modifier + Suffix



Book I:
FUNDAMENTALS OF THE MECHARI LANGUAGE
Thus was born the language of echo and stone.
Before names existed, the universe breathed through pure sounds—vibrations that created form, thought, and soul.
That language was lost through the ages, dissolved among civilizations that forgot that words are also doors.
The ancients say that the Mechari language was not invented, but remembered.
It does not belong to a single voice, but to all those who ever sought meaning within silence.
It arises where reason meets intuition, where logic and emotion recognize each other as parts of the same pulse.
I did not discover it—it found me.
It came in dreams, in symbols, in sounds that repeated without apparent reason.
I understood that it was not a foreign code, but a memory asking to be written once more.
The Mechari language does not seek to replace any human tongue: it is a way of learning to listen again.
This book gathers its foundations, its grammar, its symbols, and the worldview that sustains it.
It is written for those who feel curiosity about creation and about the power language holds to unite planes of existence.
Every word here is a seed—its meaning may grow differently in each reader.
General Introduction
The Mechari language is born from one intention: to unite the spiritual and the rational through the word.
It is not a closed language, but a living, expanding system.
It was designed with logical structure, clear sound, and symbolic meaning so that it may be read and pronounced with ease.
Mechari seeks to recover a forgotten idea: that words not only communicate, but transform.
Each syllable was created to carry weight, vibration, and purpose.
Thus, speaking Mechari is also a meditative act: every term contains a principle of the universe it represents.
This first book gathers the linguistic foundations and the bases of Mechari thought.
The Structure of the Work
Part I contains its essential grammar and the roots of the language.
Part II delves into its worldview: the planes of the universe, energies, cycles, and the beings that dwell within them.
FUNDAMENTALS OF THE MECHARI LANGUAGE
Chapter 1 — Fundamentals
The Mechari language is built upon simple and harmonious logic.
Every word seeks to reflect a balance between sound, form, and meaning.
Its reading is completely phonetic: it is pronounced exactly as it is written.
The intention behind its creation was to offer a tool of symbolic expression, where words clearly contain spiritual, philosophical, or natural concepts.
It uses no double letters or external symbols, and maintains a musicality inspired by Spanish to preserve its sonic purity.
Chapter 2 — Alphabet
The Mechari alphabet is composed of 11 consonants and 5 vowels.
Its structure was designed to produce clean sounds, easy to pronounce and free from phonetic ambiguity.
Consonants (11):
G, H, K, L, M, N, R, S, T, V, Y
Vowels (5):
A, E, I, O, U
Each consonant represents an energy or element of the universe, while the vowels express movement or inner vibration.

Chapter 3 — Personal Pronouns
The Mechari language uses simple and symmetrical pronouns, designed to maintain balance between sound and form.
I: Ri
You: Li
He/She: Fay
We: Nar
You (plural): Kor
They: Nir
Chapter 4 — Articles
In the Mechari language, each group of words shares a distinctive suffix, indicated in parentheses. Thus, words ending in -Nit are generally articles. However, some terms may retain that ending without strictly belonging to the same category.
ARTICLES (Nit)
(used to accompany nouns, like “the,” “a,” “some”)
Anit → the (singular)
Enit → the (plural)
Onit → a / an
Unit → some
POSTPOSITIONS (Kar)
(placed after the noun, like “with,” “of,” “in,” “on,” etc.)
Lakar → with
Nekar → of
Rukar → in
Sokar → on / over
Tikar → toward
Vukar → from
ADVERBS (Sat)
(modify verbs, adjectives, or other adverbs: time, manner, place, etc.)
Mesat → here
Losat → there / over there
Rasat → now
Nusat → soon
Tysat → always
Kusat → never
Hasat → well
Gosat → badly
INTERJECTIONS (Yae)
(spontaneous expressions of emotion or reaction)
Ayye → hello!
Hoyae → goodbye!
Niyae → no!
Tiyae → yes!
Mayae → thank you!
Rayae → let’s go!
Syae → careful! / watch out!
DIMINUTIVES (Lit)
(add a sense of smallness or affection)
-alit → small / -ito (e.g. nora-alit = little house)
-elit → soft or tender
-ilit → brief or short
-olit → rounded or chubby
-ulit → young or new
AUGMENTATIVES (Lut)
(increase size or intensity)
-alut → large
-elut → strong
-olut → huge / powerful
-ulut → heavy / dense
-ilut → wide / long
POSSESSIVE ARTICLES (Gi)
(indicate possession: my, your, his/her, etc.)
Magi → my / mine
Nagi → your / yours
Ragi → his / her / theirs
Lagi → our / ours
Vagi → your (plural) / yours
REFLEXIVE PRONOUNS (Em)
(refer to the same subject: myself, yourself, etc.)
Maem → myself
Naem → yourself
Raem → himself / herself / itself
Laem → ourselves
Vaem → yourselves
Examples with ARTICLES (Nit)
Anit mora → the fire
Onit sela → a flower
Enit tora → the mountains
Unit nema → some waters
Examples with POSTPOSITIONS (Kar)
Mora lakar renu. → Fire with wind.
Sela nekar tora. → Flower of mountain.
Tora rukar enit nalu. → Mountain in the skies.
Nalu tikar sela. → Sky toward the flower.
Examples with ADVERBS (Sat)
Tari rasat. → Comes now.
Sari tysat. → Always shines.
Nari kusat. → Never speaks.
Lari mesat. → Is here.
Examples with INTERJECTIONS (Yae)
Ayye! → Hello!
Hoyae! → Goodbye!
Rayae, mora laka! → Let’s go, fire with life!
Syae! tora nekar! → Careful! of the mountain.
Examples with DIMINUTIVES (Lit)
Sela-alit → little flower
Tora-ulit → young mountain
Mora-elit → soft little fire
(Can be used alone or within phrases)
Anit sela-alit rani. → The little flower sings.
Examples with AUGMENTATIVES (Lut)
Tora-alut → great mountain
Mora-elut → strong fire
Nalu-olut → immense sky
Anit mora-elut brani. → The strong fire burns. Examples with POSSESSIVE ARTICLES (Gi)
Magi sela. → My flower.
Nagi mora. → Your fire.
Ragi tora. → His / her mountain.
Lagi nalu. → Our sky. Examples with REFLEXIVE PRONOUNS (Em)
Maem tari. → I move myself.
Naem sari. → You rise.
Raem nari. → Speaks to oneself.
Laem brani. → We burn ourselves.

Chapter 5 — Sacred or Foundational Words
These words represent essential concepts of Mechari thought.
They are considered primordial sounds: each one contains a vibration that symbolizes its own meaning.
Leidleid — God
Mitavmitav — Genesis / Beginning
Sayesa-ye — Life
Kirch — Light
Lorilo-ri — Base Stone of tungsten (this was considered sacred to the Mechari, since everything that existed on their planet was created from tungsten).
Koryr — Foundation
Soul Naray — Soul
Veyrveir — Time of reflection and connection with God
Chapter 6 — Numbers
The Mechari numerical system is simple and rhythmic.
The numbers from 1 to 10 are based on the repetition of syllables that evoke harmony and symmetry.
Mechari
1Enek
2Dak
3Rik
4Kark
5Tenk
6Setk
7Selsk
8Roek
9Votk
10Lutk
Starting from number 11, to indicate tens, the number 10 is used and the suffix (ti) is added up to 19.
To indicate the twenties, the number 2 is used and the suffix (vo) is added.
11 = Lukti, Dakti
20 = Dakti
From 21 = Dakti Enek
30 = Rikti, from 31 = Rikti Enek
40 = Karkti, from 41 = Karkti Enek
50 = Tenkti, from 51 = Tenkti Enek
60 = Setkti, from 61 = Setkti Enek
70 = Selskti, from 71 = Selskti Enek
80 = Roekti, from 81 = Roekti Enek
90 = Votkti, from 91 = Votkti Enek
Hundreds
At 100, the suffix changes to (Ra)
100 = Lukra, from 101 = Lukra Enek
At 200, the suffix changes to (lo)
200 = Daklo, from 201 = Daklo Enek
At 300, the suffix is (ve)
300 = Rikve, from 301 = Rikve Enek
At 400, the suffix is (Ho)
400 = Karkho, from 401 = Karkho Enek
At 500, the suffix is (Ka)
500 = Tenkka, from 501 = Tenkka Enek
At 600, the suffix is (Nir)
600 = Setknir, from 601 = Setknir Enek
At 700, the suffix is (Go)
700 = Selskgo, from 701 = Selskgo Enek
At 800, the suffix is (Em)
800 = Roekem, from 801 = Roekem Enek
At 900, the suffix is (Yik)
900 = Votkyik, from 901 = Votkyik Enek
Thousands
Starting from one thousand, the suffix “May” is added:
1000 = Luktmay
2000 = Dakmay
3000 = Rikmay
4000 = Karkmay
5000 = Tenkmay
6000 = Setkmay
7000 = Selskmay
8000 = Roekmay
9000 = Votkmay
From 10,000 onward, the suffix changes to Tag:
10,000 = Lutktag
Chapter 7 — Special Numbers with Meanings
The number 1 (Enek) represents universal unity.
The number 3 (Rik) symbolizes balance between planes.
It represents the harmonization of different levels of being or of the universe.
And the number 7 (Selsk) is considered the number of fullness.
It implies that something has reached its maximum development or perfection — the closure of cycles or the connection with the transcendent.

Chapter 8 — Structure and Word Formation
Roots in Mechari may have more than one syllable, and suffixes modify their meaning without altering their essence.
For example:
Kor (stone) → Kornak (molten stone)
Saye (life) → Sayen (living)
Mitav (beginning) → Mitavi (to begin)
Verbal conjugation is simple: verbs do not change according to person, but through context or temporal suffix.
Chapter 9 — Derived Words and Examples
Some examples of symbolic composition:
Lorisaye = Light of life
Korlem = Sacred stone / soul contained within the stone
Sayemitav = Birth / beginning of life
Nef Leid = The All
Chapter 10 — The Mechari Calendar
The Mechari calendar is based on cycles of energy and light.
Each month corresponds to a distinct vibration of the universe.
Energy and Light Cycles
The Mechari calendar does not necessarily follow the solar or lunar calendars as on Earth, but rather the flows of energy and light — which can be interpreted as shifts in vibration or the intensity of life, the cosmos, or the environment.
This means that each period has a distinct energetic quality, not merely a set number of days.
Month = Vibration of the Universe
Each “month” in Mechari represents a specific type of energy or vibration.
For example, a month could be associated with creativity, introspection, action, or harmony, depending on the philosophy of the Mechari universe.
This transforms the calendar into something more symbolic and spiritual rather than purely chronological.
Practical Implications
People in Mechari might plan their activities according to the vibration of the month, such as:
• High-energy month: ideal for starting new projects.
• Month of introspection: better suited for meditation or learning.
Each month has an energetic “personality,” and the cycles repeat, forming a universal pattern.
The Eight Months of the Mechari Year
Lumara, Veyris, Sythera, Orvian, Kytheris, Myrran, Syrath, Thalor.
Each month is divided into 16 cycles or days with their own names:
Alyth, Voryn, Seryn, Yraxll, Elyra, Tirran, Kegoan, Gryth, Halyth, Illyth, Kyrran, Loryn, Lory, Joryn, Myrrile, Olyth.
The Mechari calendar does not measure linear time, but rather the inner evolution of energy.
Its main purpose is inner transformation — the development of energy and consciousness in those who follow it.
It serves more as a map of inner evolution than as a clock.
Each month represents a state of the soul, and each cycle a movement of consciousness.
Thus, each month is not just a temporal phase, but a symbolic stage of inner growth or transformation — for instance, a month could symbolize:
Clarity and focus, Creativity and expansion, Reflection and introspection.
Transitioning from one month to another represents a passage in the soul’s experience.

PART II — Mechari Cosmology and Symbology
Up to this point, the form of the language has been traced; now its soul begins.
Chapter 11 — The Structure of the Planes
The Mechari universe is composed of three fundamental planes that coexist in dynamic balance.
They are not separate worlds, but dimensions that reflect one another — like the echo of the same word pronounced in different tones.
The first, Lori-Ein, represents the plane of pure energy.
It is the origin of all movement, the space where the word is born before being spoken.
There is no form or sound there — only intention.
The ancients said that in Lori-Ein dwells the seed of every verb, the vibration that sustains worlds.
Nature: It is the most subtle plane, closest to the origin of existence.
There is no matter, no sound, no shape — only intention, potential, and primary vibration.
Function: It is the source from which everything arises — before something manifests or takes form, it already exists in Lori-Ein as intention or possibility.
The second, Saye-Ein, is the vital plane.
Here, energy becomes life — it breathes, grows, and feels.
It is the domain of conscious beings, where the word transforms into thought and emotion.
Saye-Ein is the dwelling of experience, the place where every action leaves its trace and every name carries weight.
In Saye-Ein, that energy begins to manifest: it acquires movement, sensitivity, growth.
It is the plane where living beings are born, where the individual soul exists.
Everything that possesses vital impulse — a creature, a plant, a consciousness — has its existence in Saye-Ein.
We could say that Lori-Ein is the idea, and Saye-Ein is the living experience of that idea.
The third, Kor-Ein, is the plane of matter and memory.
Here, the word solidifies and becomes stone, mountain, or root.
It is the densest level — but also the most enduring.
Dense: because it is matter — the lowest, most compact vibration of the cosmos.
Enduring: because, once solidified, it remains through time, even when it forgets its spiritual origin.
Physical forms — a stone, a body, a world — are frozen echoes of ancient vibrations.
What is born in Kor-Ein endures, even when it forgets its source.
These three planes are not opposed; they nourish one another.
Everything that exists flows from Lori-Ein to Saye-Ein, and anchors in Kor-Ein, only to return to the origin in an eternal cycle.
The Mechari language reflects this movement: every word has a root (Kor), an energy (Saye), and an intention (Lori).
There is no hierarchy among the three planes — none is “superior” or “inferior.”
They are three phases of the same current of existence:
• Lori-Ein: the intention or creative spark.
• Saye-Ein: the vital and conscious experience.
• Kor-Ein: the tangible manifestation and memory of the whole.

Chapter 12 — The Energy of the Word
For the ancient Mechari, speaking was an act of creation.
Each sound carried a portion of vital energy that traveled across the planes.
They believed that by naming something, one did not merely describe it — one awakened it.
That is why the words of the Mechari language were not meant to be numerous, but precise.
A single one could encompass what in other tongues would require entire sentences.
It was said that a well-spoken word had to vibrate across the three planes at once:
to be born in intention, felt in emotion, and resonate in matter.
This is the reason the phonetics of the language are simple:
each letter maintains its purity so as not to obstruct the flow of energy.
There are no exaggerated sounds nor ornate embellishments;
each syllable is a spark that connects to something essential.
The sages taught that words have weight — not because they are heavy,
but because they sustain.
And that whoever understands their true energy can move more than stone itself.
Chapter 13 — The Cycle of the Planes
The balance of the Mechari universe depends on a continuous movement among the three planes.
Everything born in Lori-Ein seeks to manifest in Saye-Ein and solidify in Kor-Ein,
before returning to the silence of the origin.
This movement is known as the Cycle of the Word.
It is the process through which all existence is named, transformed, and finally dissolved.
The Mechari believed that even the stars followed this pattern:
each star was a burning syllable that, when extinguished, left its echo vibrating within Lori-Ein.
The cycle also applied to life:
birth was the arrival from Lori-Ein,
existence the dwelling in Saye-Ein,
and death the return to Kor-Ein.
But for them, to die did not mean to disappear — it meant to remember.
In Kor-Ein, everything is recorded as a remnant that, one day, may bloom again.
Thus, the Mechari language has no exact word for “end.”
They prefer the term Mitav, which means both beginning and return.
Nothing truly fades; it merely changes form.
Chapter 14 — The Memory of Stone
In Mechari thought, stone is more than matter — it is the first memory of the universe.
Each stone holds within it the echoes of what was once word, sound, or thought.
The ancients carved symbols into rock not to adorn it, but to awaken its sleeping memory.
They said that by engraving a word in stone, they were returning it to Kor-Ein,
ensuring it would not be lost to the winds of time.
The Mechari language was born, in part, from these inscriptions.
Some ancient words still preserve traces of the original marks,
as if the language itself remembered its own material origin.
Thus, every word is also a stone — carved with intention.
The sages claimed that whoever understood the language of stone
could listen to the voices of the past — not as ghosts,
but as ancient resonances still breathing beneath the surface of the world.

Chapter 15 — The Correspondence of Forms
Nothing in the Mechari universe exists in isolation.
Every shape, color, or sound corresponds to a pattern of energy within the higher planes.
This correspondence is what allows the language to serve as a bridge between thought and matter.
For example, the circle represents life in motion, and its sonic equivalent is the vowel A, pronounced with an open mouth — evoking openness and creation.
The straight line corresponds to silence, the return to Lori-Ein, and its sound is I, a subtle and ascending vibration.
The Mecharires learned to read these correspondences to heal, build, and harmonize their surroundings.
If a stone vibrated in disorder, they would pronounce its root word to restore balance.
If an emotion became too intense, they would name it softly until it dissolved back into its pure form.
In this way, language was not only a means of communication, but a tool to align the energy of being with that of the universe.
Chapter 16 — The Vibration of Balance
Balance is the law that sustains the entire Mechari universe.
There is no good or evil — only movement between forces seeking harmony.
Every word, action, and thought carries a frequency that can either sustain or disrupt that balance.
The sages taught that a word spoken without awareness could create disorder,
just as a stone thrown into a lake disturbs its stillness.
For this reason, the Mechari language is first taught in silence:
before speaking, one learns to listen to the vibration of the surroundings.
To balance does not mean to stop movement — but to accompany it.
Just as the planes Lori-Ein, Saye-Ein, and Kor-Ein flow into one another,
consciousness too must learn to oscillate between what it feels, thinks, and does.
When these three aspects of being align,
it is said that the speaker’s voice becomes clear —
and then the universe responds.
Chapter 17 — The Laws of Flow
The Mechari universe is governed by seven Laws of Flow — principles that describe how energy moves and transforms across the planes.
They are not commandments, but observations of the nature of movement.
• Law of Origin: all is born in silence.
• Law of Echo: every sound returns to its source.
• Law of Reflection: every visible form has an invisible root.
• Law of Rhythm: nothing remains still; all things pulse.
• Law of Return: what moves away will come back to the center.
• Law of Exchange: giving and receiving are the same act in different times.
• Law of the Name: that which is named awakens its essence.
These laws are not taught through words, but through practice.
Apprentices would observe fire or wind to understand them.
They did not memorize texts, but experienced energy —
for example, by meditating on the movement of the elements.
They believed that the entire universe is a language in motion,
and that true wisdom lies in learning to read it without breaking its rhythm.
Everything — a falling stone, a blooming flower, a prolonged silence —
is a cosmic word, a manifestation of the same universal language
that gave birth to speech itself.
To “read the universe” is to perceive its hidden patterns, rhythms, and meanings.
True wisdom is learning to read the universe — without trying to alter its flow.

Chapter 18. The Guardians of the Cycle
Within each plane exist presences the Mechari called guardians. They are not gods or spirits in the human sense, for the Mechari were not human either, but manifestations of the energy that sustains natural order.
In Lori-Ein, the guardians are the white voices — currents of pure intention that preserve the original pulse. In Saye-Ein, the guardians are the bearers of air, beings who balance the vibration of life, invisible yet perceptible in the change of the wind and in the calm that follows a storm. In Kor-Ein, the guardians are the living memories — presences dwelling within stones, rivers, and the oldest roots.
The sages taught that the guardians do not speak through sounds, but through correspondences. Their language is expressed through natural cycles: a sudden breeze, a tremor in the earth, a shifting light. The Mechari language was also born from such attentive listening — from translating those signs into human sounds without breaking their original meaning.
Chapter 19. The Resonance of Being
Each person, according to Mechari thought, is a point of resonance between the three planes. Their body belongs to Kor-Ein, their soul to Saye-Ein, and their consciousness to Lori-Ein. When the three vibrate in harmony, the being attains a state of clarity that allows understanding of life’s flow.
The language was conceived as a tool to achieve that resonance. By pronouncing words mindfully, the speaker not only communicates but also tunes their own frequency. That is why, in the stone temples, teaching began with a breathing exercise followed by a single word repeated slowly until its sound filled the space.
It was said that the language, when used properly, could heal the disconnection between body, mind, and spirit — not by magic, but because speaking with awareness orders one’s inner energy. Thus, the human voice becomes a bridge between the planes, and the silence that follows, its most perfect echo.
Chapter 20. The Entities of the Void
Beyond the three known planes, the Mechari recognized a formless region they called the Serene Void. They did not consider it a dark or negative place, but a realm of rest where energy prepares to be born again.
Within that void dwell the silent entities — essences without body or individual will, fragments of energy awaiting to be called back into the planes. The ancients did not fear them; they honored them with silence. They believed inspiration came from them, and that in their pauses, the universe itself breathed.
From time to time, when a new word was meant to be born, the sages would enter deep silence to listen to the echo of the Serene Void. From that listening emerged the sounds that would later become new roots of the language. In this way, the language continued to grow — nourished by the space where nothing exists, and everything is possible.
The Mechari language continues to grow, word by word, like a root still searching for its sky.

THE FUNDAMENTAL ROOTS
1) KOR — stone, foundation, essential matter.
It represents solidity, the memory of the world, and the permanence of what is real.
Derivatives: Kora (living stone), Korin (mountain), Korat (stony era or ancient cycle), Korev (fortress or sacred structure).
Example: “Korin na ve Korat” — The mountain remembers its era.
2) SAYE — life, air, soul.
It is the breath that unites matter and consciousness. Its sound is the breath of the universe.
Derivatives: Sayer (to breathe), Sayek (sacred wind), Sayen (full life), Sayein (plane of air).
Example: “Sayer lem ta Sayein” — He breathes in the plane of air.
3) LORI — light, clarity, knowledge.
It symbolizes inner intelligence and the divine spark that illuminates all understanding.
Derivatives: Lorim (wise one), Lorien (higher plane), Lorka (clarity, revelation), Lorin (to illuminate).
Example: “Lorka ve Sayein” — Clarity flows through the air.
4) MITAV — genesis, beginning, awakening.
It represents the moment when something is born — the start of consciousness or of a cosmic cycle.
Derivatives: Mitara (seed), Mitavon (new beginning), Mitak (to create), Mitarae (to be reborn).
Example: “Mitav le Lori” — He is the beginning of light.
5) LEID — divinity, universal force.
It is the creative principle and at once the vibration that sustains existence.
Derivatives: Leidar (to invoke), Leidos (blessing), Leidra (divine essence), Leidom (act of creation).
Example: “Leid na Nef Saye” — God in life.
6) NARU — fire, impulse, vital energy.
It symbolizes inner power, desire, passion, and transformation.
Derivatives: Narak (eternal fire), Narun (ardor of the soul), Narut (spark), Naruin (fiery plane).
Example: “Narun ve Lori” — The fire shines with the light.
7) VEL — water, fluidity, change.
It is constant movement, purification, and the passage between states.
Derivatives: Velin (river), Velor (current), Velya (pure water), Velum (sea or liquid mass).
Example: “Velor ta Korin” — The river is born in the mountain.
8) DAIN — time, cycle, continuity.
It symbolizes the flow of moments, eras, and the harmony between past and future.
Derivatives: Daini (instant), Dainor (era), Daivar (eternity), Dainak (sacred moment).
Example: “Daini ve Saye” — The instant breathes life.
9) YORA — sound, word, creative vibration.
It is the voice of the unseen, the origin of language and of the universal song.
Derivatives: Yorin (word), Yoran (chant), Yorak (echo), Yorim (sacred voice).
Example: “Yorin na Leid” — The word belongs to God.
10) TAVO — path, destiny, purpose.
It symbolizes the journey of consciousness and the search for meaning within the cosmic order.
Derivatives: Tavin (route), Tavon (goal), Tavara (spiritual path), Tavem (journey).
Example: “Tavara na Lori” — The path leads to the light.

WORDS ORGANIZED BY CATEGORIES
• Pronouns, particles, articles, postpositions, adverbs, interjections, diminutives, augmentatives, possessive articles, reflexive pronouns
Pronouns
• I: Ri
• You: Li
• He/She: Fay
• We: Nar
• You (plural): Kor
• They: Nir
Particles and Articles
Anit → the (singular)
Enit → the (plural)
Onit → a / an
Unit → some
Ka – this
Ko – that
Lu – here
Lo – there
Lek – negation – no
Laf – affirmation – yes
Te – and
Ra’ka – or
Ma – but
Ni – because
Su – with
Se – without
Ta – in
To – on / over
ARTICLES
Anit → the (singular)
Enit → the (plural)
Onit → a / an
Unit → some
POSTPOSITIONS
Lakar → with
Nekar → of / from
Rukar → in
Sokar → on / over
Tikar → toward
Vukar → from / since
ADVERBS
Mesat → here
Losat → there / over there
Rasat → now
Nusat → soon
Tysat → always
Kusat → never
Hasat → well
Gosat → badly
INTERJECTIONS
Ayye → hello!
Hoyae → goodbye!
Niyae → no!
Tiyae → yes!
Mayae → thank you!
Rayae → let’s go!
Syae → watch out! / be careful!
DIMINUTIVES
-alit → small
-elit → soft or tender
-ilit → brief or short
-olit → round or chubby
-ulit → young or new
AUGMENTATIVES
-alut → big
-elut → strong
-olut → enormous / powerful
-ulut → heavy / dense
-ilut → long / extensive
POSSESSIVE ARTICLES
Magi → my / mine
Nagi → your / yours
Ragi → his / her / theirs
Lagi → our / ours
Vagi → your / yours (plural)
REFLEXIVE PRONOUNS
Maem → myself
Naem → yourself
Raem → himself / herself / itself
Laem → ourselves
Vaem → yourselves

2) Essential Verbs
Kor – verb – to be / to exist
Tal – verb – to have
Rin – verb – to do / to make
Lin – verb – to go
Rek – verb – to come
Lur – verb – to say / to tell
Lar – verb – to see
Mel – verb – to listen
Nom – verb – to eat
Tog – verb – to sleep
Am – verb – to love
Der – verb – to hate
Ten – verb – to think
Net – verb – to feel
Kas – verb – to move / to run
Var – verb – to jump
Vil – verb – to paint
Rak – verb – to build
Tin – verb – to speak
Sol – verb – to study
Yen – verb – to travel
Lum – verb – to play
Nal – verb – to cry
Lar – verb – to laugh
Sot – verb – to open
Mot – verb – to close
Yer – verb – to look / to watch
Kan – verb – to listen attentively
Tov – verb – to help
Nar – verb – to wait
3) Common Nouns
Kor’ta – noun – stone
Tor’ka – noun – water
Sol’ma – noun – fire
Lum’ra – noun – earth
Vin’to – noun – air
Ka’lin – noun – house
Na’lor – noun – tree
Mel’kor – noun – animal
Tar’so – noun – food
Lin’ta – noun – drink
Ra’mel – noun – table
Sa’kor – noun – chair
Tor’na – noun – clothing
Rin’ma – noun – book
Vil’ka – noun – instrument
Kas’to – noun – tool
Yen’ra – noun – river
Lor’na – noun – mountain
Sol’ka – noun – sky
Tal’kor – noun – cloud
Mel’to – noun – small stone
Lum’ka – noun – leaf
Vin’ma – noun – flower
Nar’ka – noun – shadow
Tor’ma – noun – light
Kan’la – noun – day
Tin’ra – noun – night
Rin’ka – noun – time
Kor’lin – noun – person
Mir – noun – love
4) Basic Adjectives
Ra’til – big
Mi’ka – small
Sa’lor – good
No’ka – bad
Tin’ma – happy
Vil’ra – sad
Kor’mel – fast
Lum’ra – slow
Mel’to – new
Nar’ka – old
Tor’na – warm
Ka’lin – cold
Rin’to – bright
Tal’ka – dark
Vin’ra – soft
Sol’ka – hard
Lan’ka – far
Kin’ra – near
Ra’mel – light
Na’lor – heavy
5) Action Verbs
Kas’to – to run
Tar’lin – to jump
Vil’ka – to paint
Rak’to – to build
Tin’ra – to speak
Sol’ka – to study
Yen’to – to travel
Lum’ra – to play
Nal’ka – to cry
Ral’to – to laugh
Mot’ka – to close
Sot’ra – to open
Ven’to – to look / to watch
Kan’ra – to listen attentively
Tor’ka – to help
Nar’to – to wait
Sar’lin – to say loudly
Rin’ka – to think deeply
Am’to – to love
Od’ka – to detest
Tin’ma – to teach
Sol’ra – to learn
Lum’to – to dance
Kas’ra – to climb
Tar’ma – to swim
Vil’ra – to slide / glide
Rak’ra – to lift
Tin’to – to tell / to count
Liv’lin – to write
Yen’ka – to explore
Lum’ka – to build toy
Nal’ra – to sigh
Ral’ma – to smile gently
Mot’ra – to close door
Sot’ka – to open window
Ven’ka – to observe
Lum'ma – to listen to music
Tor’ma – to hold
Nar’ka – to stop
Sar’to – to tell secret
Rin’ma – to meditate
Am’ra – to hug
Od’ra – to reject
Tin’ka – to teach history
Sol’to – to study language
Ma-hi – to jump in game
Kas’lin – to run fast
Tar’to – to jump high
Vil’lin – to paint a picture
Rak’lin – to build shelter

6) Everyday Objects and Utensils
Tor’lin – knife
Rin’to – fork
Lum’ra – spoon
Nal’ka – plate
Ral’to – glass
Mot’ra – cup
Sot’ka – pan
Ven’ra – pot
Kan’lin – small book
Tor’ka – tool
Rin’ka – hammer
Lum’to – ruler
Nal’ra – notebook
Ral’ka – pencil
Mot’ka – brush
Sot’ra – paint
Ven’ka – musical instrument
Kan’ra – guitar
Tor’ma – drum
Rin’ma – flute
Lum’ka – clothing
Nal’to – coat
Ral’ra – pants
Mot’lin – shoe
Sot’lin – hat
Ven’lin – bag
Kan’ma – key
Tor’ra – lock
Rin’lin – box
Lum’lin – lamp

7) Nature and Environment
Yen’ra – river
Lof’na – mountain
Ma-ri – sky
Tal’kor – cloud
Mel’to – small stone
Lum’ka – leaf
Vin’ma – flower
Nar’ka – shadow
Tor’ma – light
Kan’la – day
Tin’ra – night
Rin’ka – time
Kor’lin – person
Am’ra – love
Od’ka – hatred
Kas’to – wind
Tar’ra – rain
Vil’ka – snow
Rak’ra – sand
Tin’ka – grass
8) Abstract Concepts
Ra’mel – time
Na’lin – memory
Yav’ta – soul
Tin’ra – destiny
Lum’ka – void
Mir’to – deep love
Od’ra – intense hatred
Sen’ka – freedom
Rin’ma – power
Tar’la – wisdom
Vil’to – justice
Rak’ka – fortune
Sol’ra – hope
Nal’ka – fear
Ral’to – joy
Mot’ra – sadness
Sot’ka – confusion
Ven’ka – clarity
Kan’ra – patience
Tor’ma – courage
Rin’ka – creativity
Lum’ra – inspiration
Kas’ra – harmony
Tar’to – chaos
Vil’ra – serenity
Rat’ra – energy
Sol’ka – calm
Na’ra – nostalgia
Mi’ka – curiosity
Yi’ka – desire
Ra’ka – passion
Ve’ra – fury
Ka’lin – temptation
Ko’ra – acceptance
Lu’ra – unity
Ho’ka – separation
No’ka – doubt
Sa’ka – certainty
Te’ra – forgiveness
Ma’ra – revenge
9) Emotions and States
Tin’ma – happiness
Vil’va – mild sadness
Kor’ma – anger
Mir’ma – light love
Nar’ma – worry
Ral’ma – surprise
Mot’ma – boredom
Sot’ma – anxiety
Ven’ma – tranquility
Kan’ma – enthusiasm
Tor’ma – pride
Rin’ma – embarrassment
Lum’ka – inner calm
Kas’ma – mild confusion
Tar’ma – satisfaction
Vil’ka – mild fear
Rak’ma – determination
Sol’ma – mild hope
Na’ma – melancholy
Mi’ma – mild joy
Ti’ma – deep desire
Ra’ma – calm passion
Ve’ma – intense anger
Ka’ma – tenderness
Ko’ma – full acceptance
Lu’ma – emotional unity
Lo’ma – loneliness
No’ma – inner doubt
Sa’ma – firm certainty
Te’ma – sincere forgiveness
10) Connectors and Expressions
Ra’ka – because
Mi’va – and
Ti’ka – or
Na’ka – but
Ve’ka – although
Ka’ra – while
Ko’va – before
Lu’ra – after
Lo’ta – if
No’ka – then
Sa’ka – thus / so
Te’ka – therefore / so that
Ma’ka – moreover
Ra’lin – however
Mi’lin – despite
Ti’lin – in order to
Na’lin – until
Ve’lin – as soon as
Ka’lin – meanwhile
Ko’lin – in case of
Lu’lin – therefore
Lo’lin – consequently
No’lin – so that
Sa’lin – as a result
Te’lin – at the same time
Ma’lin – additionally
Ra’to – simultaneously
Mi’to – consecutively
Ti’so – alternately
Na’to – finally
11) Places and Geography
Kor’na – city
Tar’lin – village
Lum’ra – kingdom
Yen’to – forest
Sol’ka – sacred mountain
Tal’kor – large river
Mel’to – lake
Nal’ka – island
Ral’to – valley
Mot’ra – hill
Sot’ka – desert
Ven’ka – cave
Kan’ra – tower
Tor’ma – bridge
Rin’ka – plaza / square
Lum’ka – path
Kas’ra – port
Tar’to – market
Vil’ra – wall
Rak’ra – fortress
Sol’ra – temple
Na’ra – garden
Mi’ra – beach
Ti’ra – meadow
Ra’ra – snow-covered hill
Ve’ra – rocky mountain
Ka’ya – dense forest
Ko’ra – mystical cave
Lu’ra – oasis
Lo’ra – small river

12) Festivals and Culture
Kor’til – stone festival
Tar’til – water festival
Lum’til – fire festival
Yen’til – air festival
Sol’til – sacred day
Tal’til – moon celebration
Mel’til – ritual chant
Nal’til – ceremonial dance
Ral’til – festive poetry
Mot’til – special food
Sot’til – ritual drink
Ven’til – celebration light
Kan’til – sacred symbol
Gor’til – union ceremony
Rin’til – oath
Lum’tilok – first day of the festival
Kas’tilok – second day of the festival
Tar’tilok – third day of the festival
Vil’tilok – fourth day of the festival
Rak’tilok – fifth day of the festival
Sol’tilok – sixth day of the festival
Na’tilok – seventh day of the festival
Mi’tilok – eighth day of the festival
Ti’tilok – ninth day of the festival
Ra’tilok – tenth day of the festival
Ve’tilok – final chant
Ka’tilok – ritual closure
Ko’tilok – special decoration
Lu’tilok – closing fire
Lo’tilok – final dance
13) Fantasy Elements
Kor’lum – magical crystal
Tar’vin – enchanted sword
Lum’kor – amulet
Yen’ral – ring of power
Sol’vin – ancient scroll
Tal’lum – wand
Mel’nar – talisman
Nal’kor – sacred gem
Ral’vin – magic mirror
Mot’lum – invisible cloak
Sot’nal – crown
Ven’kor – staff
Kan’lum – medallion
Tor’nal – protective shield
Rin’lum – spellbook
Lum’nal – potion
Kas’lum – chalice
Tar’nal – magical star
Vil’lum – protective amulet
Rak’nal – magical essence
Sol’nal – portal
Na’lum – rune
Mi’nal – seal
Ti’nal – ancient key
Ra’nal – soul mirror
Ve’nal – vision crystal
Ka’nal – energy stone
Ko’nal – magic lamp
Lu’nal – wisdom scroll
Lo’nal – legendary sword
No’nal – enchanted shield
Sa’nal – scepter
Te’nal – magic orb
Ma’nal – healing amulet
Ra’lum – vital essence
Mi’lum – fire stone
Ti’lum – water crystal
Na’lum – air stone
Ve’lum – earth stone
Ka’lum – destiny jewel
14) Art and Music
Kor’tal – song
Tar’lum – melody
Lum’nal – dance
Yen’ka – painting
Sol’ra – sculpture
Tal’lin – poem
Mel’ka – theater
Nal’to – musical instrument
Ral’ka – brush
Mot’ra – string instruments
Sot’lum – ceremonial chant
Ven’ka – hymn
Kan’lin – ritual dance
Vor’ua – rhythm
Rin’ka – drum rhythm
Lum’ka – flute melody
Kas’ra – echo
Tar’ma – harmony
Vil’ra – dissonance
Rak’ra – silence
Sol’lin – improvisation
Na’lin – intonation
Mi’lin – vibration
Ti’lin – timbre
Ra’lin – birdsong
Ve’lin – water song
Ka’lin – choir
Ko’lin – choral melody
Lu’lin – lullaby
Lo’lin – farewell song
No’lin – solo
Sa’lin – duet
Te’lin – composition
Ma’lin – artwork
Ra’to – poetic improvisation
Mi’to – artistic style
Ti’ko – painting technique
Na’lo – dance form

15) Poetic Expressions and Emotions
Kor’ma – sigh
Tar’ma – gentle laugh
Luv’ma – tear
Yen’ma – intense emotion
Sol’ma – inspiration
Tal’ma – nostalgia
Mel’ma – poetic hope
Nal’ma – melancholy
Ral’ma – serene happiness
Mot’ma – deep sadness
Sot’ma – awe
Ven’ma – ecstasy
Kan’ma – inner calm
Tor’ma – creative passion
Rin’ma – artistic emotion
Lum’ka – vital energy
Kas’ma – emotional vibration
Tar’ka – poetic love
Vil’na – intense hatred
Rak’ma – expressive power
Sol’ka – contemplative silence
Na’ma – contemplation
Mi’ta – artistic joy
Ti’ma – creative desire
Ra’ma – artistic passion
Ve’ma – poetic fury
Ka’ma – tenderness
Ko’ma – emotional acceptance
Lu’ma – spiritual unity
Lo’ma – creative solitude
16) Poetic Synonyms and Variations
No’ma – poetic doubt
Sa’ma – artistic certainty
Te’ma – creative forgiveness
Ma’le – symbolic revenge
Ra’lum – essence of light
Mi’lum – inner fire
Ti’lum – water of inspiration
Na’lum – poetic air
Ve’lum – sacred earth
Ka’lum – soul jewel
Ko’lum – spirit stone
Lu’lum – vision crystal
Lo’lum – protective shadow
No’lum – soft sound
Sa’lum – celestial music
Te’lum – poetic light
Ma’lum – creative energy
Ra’nal – mirror of emotions
Mi’nal – seal of inspiration
Ti’nal – key of the soul
Na’nal – rune of creativity
Ve’nal – mind crystal
Ka’nal – stone of feelings
Ko’nal – inner lamp
Lu’nal – sacred scroll
Lo’nal – symbolic sword
No’nal – poetic shield
Sa’nal – art scepter
Te’nal – magic orb
Ma’nal – creative amulet
Ra’nal – vital essence
Mi’nal – stone of inspiration
17) The Eight Months of the Year
Lumara – 1st month → Lum’ra
Veyris – 2nd month → Vey’ra
Sythera – 3rd month → Syth’ra
Orvian – 4th month → Orv’ra
Kytheris – 5th month → Ky’ra
Syrath – 6th month → Syr’ra
Myralis – 7th month → Myr’ra
Thalor – 8th month → Tha’ra
18) The 16 Days of the Week
Alyth, Voryn, Meryn, Leaxll, Niyra, Rirran, Gryth, Halyth, Ilyth, Voryn, Kirran, Loryn, Lory, Voryt, Myrril, Olyth
19) Metals and Minerals
Or’ka – Gold
Pl’ta – Silver
Hi’ra – Iron
Co’br – Copper
Cr’tal – Crystal
Tu’gen – Tungsten
Tu’stnog – Tungsten alloy (Tustenog)
Si’la – Magical silver
Ve’na – Venusite
Ka’lor – Quartz
Lu’nar – Luminite
Lo’vak – White gold
No’ril – Nickel
Sa’ryn – Steel
Te’lin – Titanium
Ma’rol – Magnesium
Ra’kory – Metallic ruby
Mi’gan – Light alloy
Ti’len – Tin
Na’kor – Protective alloy
Kor’min – Conductive metal
Lum’vin – Conductive crystal
Vil’kor – Magical alloy
Rak’lin – Lunar metal
Sol’kor – Solar gold
Na’lin – Lunar silver
Mi’kor – Iron-copper alloy
Ti’kor – Strong metal
Ra’lin – Resistant alloy
Ve’kor – Flexible metal
Ka’lin – Light alloy
Ko’lin – Rare mineral
Lu’kor – Healing metal
Lo’lin – Sacred alloy
No’lin – Magical metal
Sa’kor – Luminous alloy
Te’kor – Dark metal
Ma’kor – Elemental alloy
Ra’kor – Ancient mineral
Mi’kor – Magical conductive metal
Ty’kor – Titanium-copper alloy
Lu’stal – Pure crystal
Ka’stel – Strong stone
Ri’gan – Protective mineral
Ve’stal – Ceremonial metal
So’krin – Ritual alloy
Na’vor – Shiny mineral
Ti’gan – Light metal
Ko’stal – Magic stone
Lu’koran – Healing alloy
Ra’stel – Ancient crystal
Mi’lin – Reinforced alloy
Na’linth – Rare lunar metal
Sa’ron – Dark alloy
Te’val – Sacred mineral
Ka’vor – Shiny metal
Ko’lyn – Flexible alloy
Lu’fyr – Strong magical metal
Lo’ral – Luminous alloy
No’gav – Resistant stone
Sa’vin – Ritual alloy
Te’lyn – Protective metal
Ma’ryl – Rare mineral
Ra’thal – Ancient metal
Mi’var – Light alloy
Ti’val – Healing mineral
Na’gar – Mystic metal
Ka’lyth – Sacred stone
Lu’tar – Powerful alloy
Lo’yr – Shiny metal
No’val – Magical alloy
Sa’thal – Dark mineral
Te’koral – Ceremonial alloy
Ma’lan – Luminous stone
Ra’linth – Mystic metal
Mi’stel – Reinforced alloy
Ti’vor – Protective mineral
Na’korin – Magical metal

20) Jobs and Professions
Lumin – Writer
Temp’koryn –Meteorologist/ Storm chronicler
Screg – Scribe
Ma’lar – Teacher
Gu’ran – Guardian
So’ral – Healer
Mu’lin – Musician
Vi’ran – Traveler
Ar’ton – Artisan
In’ken – Engineer
Scien’ka – Scientist
Co’strin – Builder
Ro’tek – Protector
Lo’sin – Illuminator
Ly’ran – Poet
Ka’lin – Blacksmith
Ko’ver – Magical Blacksmith
Ra’lin – Alchemist
Mi’tor – Apprentice Mage
Ti’nar – Inventor
Na’lor – Navigator
Kor’man – Captain
Lum’kor – Strategist
Vi’thal – Temple Guardian
Ky’ron – Sentinel
Sy’lan – Ritual Healer
Thy’len – Master of Ceremonies
Ra’vor – Protector of Secrets
Mi’gan – Ritual Blacksmith
Ko’lyn – Bridge Builder
Lu’ral – Messenger
Lo’ther – Portal Guardian
No’ryn – Stellar Navigator
Sa’lin – Astronomer
Te’kor – Mechanical Engineer
Ma’ryl – Tool Inventor
Ra’thal – Master Alchemist
Mi’var – Relic Protector
Ti’val – Visual Artist
Na’gar – Ritual Musician
Ko’rey – Temple Builder
Lu’tar – Arts Teacher
Lo’syr – Energy Healer
No’val – Military Strategist
Sa’thal – Language Master
Te’koran – Metal Scientist
Ma’lon – Knowledge Guardian
Ra’linth – Musical Artist
Mi’sk – Magical Researcher
Ti’vor – Library Protector
Na’keran – Ritual Engineer
Ko’stalyn – Monument Builder
Lu’ryl – Dance Master
Lo’val – Ceremonial Artist
No’thar – Relic Guardian
Sa’rynth – Temple Musician
Te’stal – Ceremony Strategist
Ma’korin – Alchemy Master
Ra’lyth – Astral Scientist
Mi’gar – Ritual Bridge Builder
Ti’lan – Temple Protector
Na’stel – Mineral Guardian
Ko’roy – Gem Master
Lu’thor – Magical Tool Inventor
Lo’gan – Artifact Protector
No’syr – Energy Strategist
Sa’linth – Ritual Master
Te’vor – Library Builder
Ma’rylth – Ceremonial Healer
Ra’lor – Light Artist
Mi’stath – Instrument Master
Ti’lyth – Structural Engineer
Na’rorin – Temple Protector
Ko’linth – Gem Artist
Lu’thain – Magical System Inventor
Lo’rynth – Secret Guardian
No’thyl – Ritual Master
Sa’vryn – Ceremony Strategist
Te’lynth – Alchemy Scientist
Ma’thar – Library Protector
Ra’thalyn – Ritual Dance Master
Mi’varin – Ceremonial Musical Artist
Ti’korin – Ritual Temple Builder
Na’lyth – Ancient Relic Guardian
Ko’rythe – Magical Metals Master
Lu’valin – Artifact Inventor
Lo’stath – Energy Protector
No’kryn – Temple Strategist
Sa’thorin – Ritual Music Master
Te’ryth – Nature Scientist
Ma’linth – Monument Guardian
Ra’sthal – Light and Shadow Artist
Mi’lyth – Transparent Ceremonies Master
Ti’soran – Artifact Builder
Na’valin – Sacred Temple Protector
Ko’lyoin – Ritual Inventor
Lu’thorin – Alchemy Master
Lo’thar – Ancient Secret Guardian
No’ryth – Ceremony Strategist
Sa’korny – Ritual Artist
Te’linth – Magical Gems Master
Ma’kosan – Artifact Protector
Ra’lyrin – Ceremonial Scientist

21) Physical Failures / Robot Illnesses
• Var’cut – Short circuit
• Ax’ad – Oxidation
• Fal’ener – Power failure
• Sovr’cal – Overheating
• Desin’sin – Desynchronization
• Dam’meh – Mechanical damage
• Err’med – Memory error
• Fal’sens – Sensor failure
• Mal’nor – Circuit corruption
• Ti’volt – Overvoltage
• Ra’fus – Fuse failure
• Lu’ok – Internal oxidation
• Mi’glith – Minor glitch
• Na’gop – Power short
• Ve’lam – Mechanical jam
• Ko’ther – Gear failure
• Lu’stin – Component wear
• Lo’rus – Connection failure
• No’kal – Calibration error
• Sa’ryn – Energy overload
• Te’lin – Main circuit failure
• Ma’yor – Structural damage
• Ra’lin – Partial desynchronization
• Mi’kan – Advanced memory error
• Ti’kor – Motor overload
• Na’val – Light sensor failure
• Ko’lyn – Power short
• Lu’thal – Gear wear
• Lo’ryn – Data connection failure
• No’lyr – Thermal overload
• Sa’thal – External component oxidation
• Te’vor – Main motor damage
• Ma’ryl – Programming error
• Ra’kor – Memory malfunction
• Mi’lin – Internal power short
• Ti’val – Motor synchronization failure
• Na’kort – Sensor overheating
• Ko’ryl – Magical gear failure
• Lu’sar – Ritual component damage
• Lo’myn – Network connection error
• No’lin – Internal overvoltage
• Sa’kor – Elemental circuit short
• Te’ryl – Magical memory failure
• Ma’lor – Advanced desynchronization
• Ra’thal – Critical overheating
• Mi’stl – Secondary motor damage
• Ti’lyn – Advanced sensor error
• Na’ryl – Energy system short
• Ko’thal – Sacred gear failure
• Lu’ken – Deep internal oxidation
• Lo’gar – Magical circuit overload
• No’ryn – Central memory malfunction
• Sa’lin – Ritual programming error
• Te’korin – Critical structural damage
• Ma’lin – Secondary motor desynchronization
• Ra’lyn – Ritual circuit overvoltage
• Mi’kor – Magical energy short
• Ti’gar – Main gear failure
• Na’lor – Internal component oxidation
• Ko’lynth – Magical component wear
• Lu’ryth – Elemental motor failure
• Lo’thal – Data system error
• No’thal – Ceremonial energy short
• Sa’vyn – Sensor overload
• Te’lynth – Ritual structural damage
• Ma’thar – Advanced memory malfunction
• Ra’lyth – Main synchronization error
• Mi’stath – Ritual motor failure
• Ti’ryth – Secondary circuit short
• Na’korin – Magical gear overvoltage
• Ko’ryth – Elemental component oxidation
• Lu’val – Central motor malfunction
• Lo’rynth – Ritual memory damage
• No’gar – Main energy short
• Sa’ther – Elemental programming error
• Te’vryn – Ritual sensor overload
• Ma’linth – Secondary system desynchronization
• Ra’koran – Magical motor failure
• Mi’lyth – Ceremonial memory error
• Ti’koran – Ritual circuit short
• Na’valin – Advanced internal oxidation
• Ko’linth – Central gear wear
• Lu’thorin – Elemental energy overvoltage
• Lo’thar – Magical structural damage
• No’ryth – Ritual synchronization error
• Sa’koryn – Secondary motor failure
• Te’linth – Memory system short
• Ma’koran – Ritual component oxidation
• Ra’lyrin – Elemental motor overload
• Mi’storin – Magical programming error
• Ti’valyn – Central gear malfunction
• Na’sthal – Ceremonial energy short
• Ko’rylin – Secondary system desynchronization
• Lu’valth – Magical motor failure
• Lo’rylin – Elemental memory error
• No’thalyn – Central system overvoltage
• Sa’voryn – Ritual circuit oxidation
• Te’rylin – Elemental motor damage
• Ma’thorin – Magical gear short
• Ra’korlyn – Central memory malfunction
22) Love and Infatuation
• Inman’ta – Infatuation / Inmantation
• Lum’rain – Intense attraction
• Ra’lyth – Emotional bond
• Ti’coran – Fascination
• Mi’lyra – Deep tenderness
• Na’vyn – Secret affection
• Ve’linth – Platonic love
• Ka’ryth – Romantic desire
• Ko’lyra – Soul bond
• Lu’myth – Magical fascination
• Lo’vyr – Spiritual attraction
• No’ralin – Secret love
• Sa’lyra – Emotional caress
• Te’lyrin – Deep connection
• Ma’voryn – Burning passion
• Ra’kyn – Emotional affinity
• Mi’thar – Heart linkage
• Ti’valyn – Sincere desire
• Na’lorin – Romantic emotion
• Ko’ryth – Strong bond
• Lu’thalyn – Lasting fascination
• Lo’lyrin – Powerful attraction
• No’vryn – Intimate connection
• Sa’korin – Deep affection
• Te’voryn – Magical attraction
• Ma’lynth – Platonic love
• Ra’lyrin – Secret romance
• Mi’cor – Ritual tenderness
• Ti’ryn – Emotional fascination
• Na’voryn – Soul attraction
• Ko’lyrin – Sentimental bond
• Lu’voryn – Magical affection
• Lo’tharin – Spiritual desire
• No’koryn – Intense love
• Sa’lyrin – Magical connection
• Te’kor – Deep romance
• Ma’ryth – Emotional attraction
• Ra’valyn – Platonic fascination
• Mi’thoryn – Lasting bond
• Ti’lyth – Ritual love
• Na’korin – Intimate affinity
• Ko’vryn – Secret desire
• Lu’lyrin – Soul connection
• Lo’myth – Magical romance
• No’ryth – Deep bond
• Sa’koran – Lasting attraction
• Te’lyth – Sacred infatuation
• Ma’lyrin – Emotional fascination
• Ra’thorin – Secret romance
• Mi’voryn – Magical attraction
• Ti’lyrin – Deep affection
• Na’thar – Intense love
• Ko’ralyn – Sentimental connection
• Lu’tharyn – Lasting romance
• Lo’voryn – Soul attraction
• No’lyth – Magical linkage
• Sa’voryn – Ritual fascination
• Te’korin – Romantic bond
• Ma’thorin – Secret love
• Ra’lythrin – Spiritual attraction
• Mi’koran – Emotional connection
• Ti’voryn – Deep romance
• Na’lyrin – Magical fascination
• Ko’tharyn – Heart bond
• Lu’voryth – Intense love
• Lo’lyrinth – Romantic linkage
• No’voryn – Deep attraction
• Sa’korlyn – Secret romance
• Te’lyrinth – Lasting fascination
• Ma’lythrin – Platonic bond
• Ra’thoryn – Ritual love
• Mi’lyrinth – Intense attraction
• Ti’korlyn – Magical romance
• Na’voryth – Soul connection
• Ko’lyrinth – Deep love
• Lu’thoryn – Emotional fascination
• Lo’voryth – Lasting linkage
• No’koryth – Secret romance
• Sa’lyrinth – Platonic attraction
• Te’voryth – Ritual connection
• Ma’thoryn – Magical fascination
• Ra’lyrinth – Intense love
• Mi’voryth – Deep romance
• Ti’lyrinth – Soul linkage
• Na’thoryn – Secret attraction
• Ko’valyn – Emotional connection
• Lu’lyrinth – Lasting romance
• Lo’mythrin – Intense fascination
• No’rynth – Platonic bond
• Sa’korinth – Magical attraction
• Te’lythrin – Secret romance
• Ma’voryth – Deep love
• Ra’thoryth – Spiritual connection
• Mi’lyrinth – Lasting linkage
• Ti’korinth – Emotional attraction
• Na’vorynth – Magical romance
• Ko’lyrinth – Ritual fascination
• Lu’vorynth – Intense love
• Lo’lyrinth – Deep bond
• No’mythrin – Ceremonial infatuation

23) War and Battle
• Ba’ryn – Battle
• Ar’kon – Army
• Vo’thal – Attack tactic
• Ki’ran – Defense
• Ly’thar – Shield
• Ra’koth – Spear
• Mi’kor – Sword
• Ti’lyn – Catapult
• Na’kar – Fortress
• Ko’ral – Watchtower
• Lu’thor – Strategist
• Lo’ryn – Conquest
• No’val – Invasion
• Sa’thar – Retreat
• Te’kor – Siege
• Ma’ryn – Warrior
• Ra’lin – Captain
• Mi’thal – Soldier
• Ti’vor – Heavy weapon
• Na’lyth – Battalion
• Ko’lyth – Guard
• Lu’vyn – Heroic
• Lo’thar – Defender
• No’ryn – Spy
• Sa’kor – War signal
• Te’val – Secret strategy
• Ma’lor – Commander
• Ra’sthal – Decisive battle
• Mi’gar – Assault
• Ti’lyth – Rear guard
• Na’thar – Ambush
• Ko’rynth – Armory
• Lu’voryn – Squadron
• Lo’myth – Surprise attack
• No’koryn – Reinforcement
• Sa’voryn – Flank
• Te’lynth – Magical strategy
• Ma’thoryn – Fighter
• Ra’lyrin – Veteran soldier
• Mi’stath – Leader
• Ti’korun – Ritual war
• Na’voryn – March
• Ko’lyrin – Tactical execution
• Lu’thoryn – Onslaught
• Lo’voryth – Fortification
• No’lyth – Squad
• Sa’korinth – Ritual weapon
• Te’voryth – Magical conquest
• Ma’lythrin – Troop leader
• Ra’thoryn – Ultimate strategy
24) Extinction and Desolation
• Ex’thar – Extinction
• De’skal – Desolation
• Ru’nar – Ruin
• Pe’tryn – Total petrification
• Va’kor – Stone desert
• Tr’gon – Terrain fragmentation
• Ka’lyn – Collapse
• Mi’thar – Scar of the land
• Ti’ral – Destruction
• Na’val – Void
• Ko’ron – Fallen city
• Lu’thal – Destroyed village
• Lo’vyn – Ruined monument
• No’ral – Fallen fortress
• Sa’ryn – Petrified ruin
• Te’lyth – Devastated terrain
• Ma’kor – Broken land
• Ra’lin – Remains
• Mi’gar – Stone ashes
• Ti’kr – Wear of time
• Na’lor – Fallen pillars
• Ko’lte – Destroyed monument
• Lu’ryth – Ancient ruins
• Lo’thar – Petrified debris
• No’vryn – Desolate void
• Sa’korine – Total loss
• Te’val – City extinction
• Ma’lyth – Petrified terrain
• Ra’sthal – Desolate land
• Mi’stkel – Empty space
• Ti’voryna – Fragments
• Na’lyrin – Disappearance
• Ko’rythen – Civilization remains
• Lu’thoryan – Dead land
• Lo’voryoth – Ritual destruction
• No’koryth – Petrified city
• Sa’lyrinth – Eternal void
• Te’kortin – Fallen monument
• Ma’thoryn – Ancestral ruin
• Ra’lyrinth – Petrified desolation
• Mi’voryth – Extinction of life
• Ti’lyrinth – Devastated terrain
• Na’thoryn – Loss of structures
• Ko’valyn – Ritual fragmentation
• Lu’lyrinth – Magical ruins
• Lo’mythrin – Petrified void
• No’rynth – Eternal debris
• Sa’korinth – Destroyed monuments
• Te’lythrin – Broken land
• Ma’voryth – Total destruction
25) Explosion and Violent Phenomena
• Ex’that – Explosion
• Ra’thun – Lightning
• Ti’volth – Electric storm
• Mi’kryn – Thunder
• Na’tyr – Flash
• Ko’thar – Spark
• Lu’ryth – Ember
• Lo’vyr – Lightning bolt
• No’kran – Electric discharge
• Sa’tok – Impact
• Te’lyn – Rock explosion
• Ma’kor – Stone fragmentation
• Ra’lin – Landslide
• Mi’sva – Burning fragment
• Ti’vir – Shock
• Na’val – Shockwaves
• Ko’rhon – Ritual explosion
• Lu’voryn – Magical flash
• Lo’myth – Devastating spark
• No’lyth – Petrifying lightning
• Sa’sorin – Metal impact
• Te’voryn – Controlled explosion
• Ma’lyth – Energy fragmentation
• Ra’sthal – Detonation
• Mi’voryth – Electric flame
• Ti’lyth – Petrifying thunder
• Na’thoryn – Ritual lightning
• Ko’ryth – Destructive storm
• Lu’thoryn – Powerful discharge
• Lo’voryth – Terrain fragmentation
• No’koryth – Magical impact
• Sa’lyrinth – Ancient lightning
• Te’morin – Ceremonial explosion
• Ma’thoryn – Devastating spark
• Ra’lyrinth – Ritual shock
• Mi’lyrinth – Petrified fragmentation
• Ti’gorinth – Stone detonation
• Na’voryth – Electric waves
• Ko’lyrinth – Magical lightning
• Lu’gorynth – Ritual explosion
• Lo’lyrinth – Energy shock
• No’mythrin – Ritual fragment
• Sa’korig – Petrified spark
• Te’lythrin – Devastating flash
• Ma’voryth – Metal explosion
• Ra’thoryth – Ancestral lightning
• Mi’lyrinth – Magical discharge
• Ti’yoran – Ritual fragmentation
• Na’valyn – Petrifying lightning
• Ko’linth – Firestorm
• Lu’thoryn – Electric shock
• Lo’voryth – Stone explosion
• No’koryn – Ritual spark
• Sa’lyrinth – Petrifying impact
• Te’voryth – Magical detonation
• Ma’lythrin – Ritual fragmentation
• Ra’thoryn – Ancestral explosion
• Mi’voryn – Destructive lightning
• Ti’lyrinth – Energy discharge
• Na’thoryn – Magical fragment
• Ko’valyn – Ritual lightning
• Lu’lyrinth – Devastating spark
• Lo’mythrin – Petrifying shock
• No’rynth – Ancestral explosion
• Sa’koran – Rock fragmentation
• Te’lyrinth – Ritual detonation
• Ma’vorynth – Petrifying lightning
• Ra’lyrinth – Energy explosion
• Mi’koran – Ritual spark
• Ti’vorynth – Devastating fragmentation
• Na’lyrinth – Petrified discharge
• Ko’thoryn – Magical storm
• Lu’vorynth – Devastating shock
• Lo’lyrinth – Ritual explosion
• No’mythrinth – Ancestral lightning
• Sa’korinth – Energy fragmentation
• Te’lythrinth – Devastating discharge
• Ma’thorynth – Petrified spark
• Ra’vorynth – Ritual shock
• Mi’lyrinth – Electric fragment
• Ti’korinth – Petrified explosion
• Na’vorynth – Devastating impact
• Ko’lyrinth – Ritual lightning
• Lu’vorynth – Energy fragmentation
• Lo’lyrinth – Petrified shock
• No’mythrinth – Ritual explosion
• Sa’korg – Devastating lightning
• Te’lyrinth – Ritual discharge
• Ma’vorynth – Petrified fragmentation
• Ra’thorynth – Ancestral lightning
• Mi’lyrinth – Energy explosion
• Ti’giran – Ritual spark
• Na’valynth – Devastating shock
• Ko’ling – Petrified fragment
• Lu’thorynth – Ritual discharge
• Lo’vorynth – Devastating lightning
• No’korynth – Petrified explosion
• Sa’lyrinth – Ritual fragmentation
• Te’vorynthe – Ancestral shock
• Ma’lythrinth – Magical spark





The Narrator Of Mechara

  THE NARRATOR Of MECHARA SONG II OF THE ANTHOLOGY "THE SONGS OF THE VOID" THE NARRATOR OF MECHARA INTRODUCTION Year 11 645  The s...